简介：SYNOPSISYoung-ah lives with her mother in poverty dreaming of becoming a super fashion model. One day she is seduced by Doo-shik, a drug dealer, lose her virginity, and forced into work for the gang. Best fighter in town, Kang Baek-chon who lost a brother to drug is determined to destroy drug dealing organization. While investigating his friend Man-bok's car accident, he meets Young-ah. She has become a different person by then. Head of the drug dealing organization orders his right arm Cobra to strengthen security and sales profit. Young-ah joins the organization tempted by money. Baek-chon gets Young-ah out of the gang and destroy them but dies in her arms.故事婴儿的著名时尚模特的梦想生活在一个单亲母亲在困难的环境。她遭受诱惑哪一个赢得了我hiroppong组织被迫失去童贞，甚至成为该组织的成员dusik。工作因子河baekcheon拳头全世界都在关注他的弟弟被贩毒集团摆脱毒瘾毁了。朋友饱然后打车遇到的艺术儿谁追踪其背后的。她已经转化为另一个女人。总维修hiroppong组织的总统下令，以提高安全性打手眼镜蛇和销售。婴儿期是该组织最终可以赚很多钱的诱惑的成员。Baekcheon正在寻求眼镜蛇婴儿的成员。津盖忽视hiroppong组织，但模具抱住了她。
简介：A live concert experience and exclusive look into life on the road with the Jonas Brothers during their sold out 'Happiness Begins' concert tour in 2019.
简介：Irfan, an innocent man with an ordinary life, is portrayed as the evil incarnated by media trials. Is there a journey back to normal life for a man accused of terrorism Is there more to Irfan than what meets the eye
简介：Joji, an engineering dropout and the youngest son of the rich plantation family lives with his aspirations of becoming a super wealthy NRI. But his father sees down on him as a proper loser. Driven by greed and blind ambition, Joji finally decide to execute his plans following an unexpected event in the family. Will he succeed in achieving his dreams
简介：hideのパーソナルマネージャーを務め、現在はhideオフィシャルマネジメント事務所の代表を務める松本。2022年夏に公開される「TELL ME ～hideと見た景色～」では、主人公である弟・ヒロシがhideの共同プロデューサーI.N.A.（hide with Spread Beaver）とともに、hideが遺した音楽を世に送り出すまでの軌跡が描かれる。I.N.A.の「君のいない世界～hideと過ごした2486日間の軌跡」も原案協力としてクレジットされた。
简介：Ok, folks, this is my last Ishii upload. Totsugeki! Hakata gurentai is his first feature and last 8mm film. Haven't watched it yet myself, but from the looks of it, this is very much reminescent of eighties and nineties v-cinema, sort of like early Miike (only made in 1978). There is considerably more dialogue than in his earlier films, but it doesn't seem too complicated plotwise.